Erik Lehnsherr (
markedformore) wrote2012-07-26 11:36 am
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July 30th - Amnesia's End
The gun is in the middle of his clothes.
Erik picks it up cautiously, confusion ebbing through him as he picks up the weapon and holds it firm in his hand. He's supposed to know something about this. He's supposed to understand something about the weapon, but Erik strains to think of what it is. Hefting it up until his fingers slide over the butt of the weapon, he recalls how so many guards had brought these with them in order to enact the peace.
He takes it with him and finds a spot near the mansion he awoke in, sitting cross-legged as he stares at the weapon in his hands. Everything that he has been dreaming about, the thoughts and the feelings and the darkness edging in on the lightness he has been feeling. Staring at this weapon, he begins to remember, now.
I believe that true focus lies somewhere between rage and serenity.
Carefully, cautiously, Erik lifts the gun to his forehead and presses there lightly, the weight of it familiar, heavy.
Oh, come on, you know I can deflect it.
Rage. What has Erik ever known of rage? Like a bolt, it hits him, strikes him, and he drops the gun like his hand has been burned. It has been, but not for some time. Erik stares at his forearm, the numbers making sense once more and horror begins to creep into his awareness, always underscored by rage, rage, singing through him and his happiness begins to fade away, though stubbornness holds tight and that happiness refuses to budge.
There's so much more to you than you know.
Erik gasps sharply and it all comes back. Everything. Pain, anger, but the joy and the happiness and the good memories too, buried so deep that he thought he'd lost them forever. Breathing raggedly, he fights through tears and presses a fisted hand to his chest to try and overcome the ache there.
He remembers.
Erik picks it up cautiously, confusion ebbing through him as he picks up the weapon and holds it firm in his hand. He's supposed to know something about this. He's supposed to understand something about the weapon, but Erik strains to think of what it is. Hefting it up until his fingers slide over the butt of the weapon, he recalls how so many guards had brought these with them in order to enact the peace.
He takes it with him and finds a spot near the mansion he awoke in, sitting cross-legged as he stares at the weapon in his hands. Everything that he has been dreaming about, the thoughts and the feelings and the darkness edging in on the lightness he has been feeling. Staring at this weapon, he begins to remember, now.
I believe that true focus lies somewhere between rage and serenity.
Carefully, cautiously, Erik lifts the gun to his forehead and presses there lightly, the weight of it familiar, heavy.
Oh, come on, you know I can deflect it.
Rage. What has Erik ever known of rage? Like a bolt, it hits him, strikes him, and he drops the gun like his hand has been burned. It has been, but not for some time. Erik stares at his forearm, the numbers making sense once more and horror begins to creep into his awareness, always underscored by rage, rage, singing through him and his happiness begins to fade away, though stubbornness holds tight and that happiness refuses to budge.
There's so much more to you than you know.
Erik gasps sharply and it all comes back. Everything. Pain, anger, but the joy and the happiness and the good memories too, buried so deep that he thought he'd lost them forever. Breathing raggedly, he fights through tears and presses a fisted hand to his chest to try and overcome the ache there.
He remembers.
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Charles has come to regret that the mansion's so far away from the compound these past few weeks, but that regret comes to a head this afternoon when he realizes he'd forgotten the bulk of his research on the kitchen table instead of putting it in his bag, forcing him to make his usual commute much earlier than normal so he can still hope to get some work in for the day. He doesn't notice Erik until he's nearly ran over him, stopping some feet away before an actual collision occurs.
"Erik, what are you--?" His question dies on his lips, eyes lighting first on the gun and then on the expression on his friend's face, willing it to be familiar.
"--Erik?"
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"Pardon?"
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He does his best to shake the envy of his young self. "I owe you a dozen apologies."
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"That's hardly necessary," he says instinctively. Erik's innocent of this particular crime, a victim of circumstance, and he'd done little as an eight-year-old that requires apology except perhaps robbing him of a few hours sleep that first day. The reminder serves only to kick his scientific proclivities into gear.
"You remember everything?"
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"My things are with Ms. Beaufort-Stuart," he admits. He wrinkles his nose in faint disgust at the things he had said and how innocent he had been, gaze slipping to the numbers on his arm. "Do you know, Charles, not one person told me."
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"Some things are better kept from children," he murmurs, equally as guilty for having kept that truth as anyone else.
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They are in the middle of nowhere. No one is around them. No one will see them and they will hardly be interrupted. After so long avoiding the topic, Erik feels as if they must now broach it. "Do you ever feel as empty as I do? Without it?" he asks, gesturing temple-wards as he shoots Charles a curious look. Sitting here, with the gun in his hand, he remembers the things he could do, the things he wanted to do. He had been so angry, but effective.
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"Empty doesn't begin to describe it, truly," he says, no less quiet than before. "Useless, perhaps."
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It occurs to him, distantly, that he'll have to tell Erik about Hank's disappearance, and yet he's unsure how to broach the topic at all. He chooses to focus on what's more relevant for the moment.
"I would suggest," he starts, louder, "to remember that happiness, to keep it at the forefront of your thoughts. I told you once that you were a good man. I still believe that, Erik, despite... Everything."
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"Is that what you want to hear, my friend?"
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"Regardless of whether you believe it or not, Erik, you do deserve some happiness."
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"I'm not sure how to find happiness again."
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It's a fair question, he thinks, given how Erik sought to live his life before they met. He wasn't searching for peace; he wasn't searching for anything other than revenge. Even Charles' influence over him had extended only so far.
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"He is a fine young man," Charles agrees. "Might I make a suggestion? Focus on what you know makes you happy -- your family, your friends -- and hope that the love you hold for them is enough to keep past pains at bay. You cannot forget what made you, Erik, but perhaps you can stop letting it define you." He looks down at the gun, then tries to meet Erik's gaze. "You are so much more than that, my friend."
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He had done nothing to earn it. "Happiness," he echoes, with a mild scoff. To what end, he wonders, but he assumes this is for good -- for life.