Erik Lehnsherr (
markedformore) wrote2012-04-27 07:50 pm
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The marks on his wrists are still proving to be a distraction. Erik pulls the turtleneck’s sleeve lower in order to cover it; sight unseen, he will still feel it, but perhaps it will not remind him of what he awoke to days back. He goes about what business he has on the island now that the club is closed and puts his mind devotedly towards his tasks. It proves to be more difficult than he might have imagined. Everyone is louder than he recalls, the tasks more demeaning than ever, and he finds that the thrum of traffic around him makes him grit his jaw tightly until he is sure that it is going to break. He does not belong here. He should be back where he’s meant to be forging a new world for mutants so they can be proud of their gifts.
This is an insult to him. After everything he’s been through, his presence here is a waste. He finishes his drink and decides to head back home, taking a moment in the darkest corner of the Winchester in order to compose his thoughts. He wants to believe that there can be more for him, but each time he comes perilously close to believing that, he is the undeserving recipient of further reminders that there are reasons why he is the way he is. Erik takes a steady breath and steps to his feet, surveying the area before him as he debates whether he will be able to face The Room tonight to dismantle it further.
He is not sure tonight will be the night.
Erik allows his mind to drift as he walks back to the house, catching sight of the window (broken from the inside) and the way the moon captures the glass in an ethereal way. It is not the only thing that it illuminates. From here, he can only barely make out the figure, but he thinks that there is someone lurking near the house. His pace picks up, now, mind focusing on this and only this.
This is an insult to him. After everything he’s been through, his presence here is a waste. He finishes his drink and decides to head back home, taking a moment in the darkest corner of the Winchester in order to compose his thoughts. He wants to believe that there can be more for him, but each time he comes perilously close to believing that, he is the undeserving recipient of further reminders that there are reasons why he is the way he is. Erik takes a steady breath and steps to his feet, surveying the area before him as he debates whether he will be able to face The Room tonight to dismantle it further.
He is not sure tonight will be the night.
Erik allows his mind to drift as he walks back to the house, catching sight of the window (broken from the inside) and the way the moon captures the glass in an ethereal way. It is not the only thing that it illuminates. From here, he can only barely make out the figure, but he thinks that there is someone lurking near the house. His pace picks up, now, mind focusing on this and only this.
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But it's been a shit week, and he's in a worse mood than he can remember being in since arriving, really. He's not a fan of the shit this place pulled with the car and the fire and Jamie, and he's definitely not a fan of the building he's just run into.
Though fuck knows why that's the case. Mostly, Nathan's convinced everything's shit. He takes a long swig out of a bottle he's nicked-- he doesn't remember where he's stolen it from-- and squints into the distance, catching sight of a figure approaching.
"If you're lookin' for a late night cuddle, then I suggest you just walk on, friend," Nathan calls, "My legs are closed for business. Especially to weird-- whatever you ares."
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"What the fuck's wrong with your mouth?" he asks, squinting in his general direction. Nathan thinks he might have enough teeth for two people's mouths. Though, to be fair, he's not exactly sure there aren't two of him in the first place.
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"Nah," Nathan replies, "I think I'll hang about a bit. Maybe I'll put up a tent. It's a good spot. Or... it will be as soon as you've fucked off."
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"Fuck!" Nathan shouts, though it comes out half warbled and not quite a word. At least there's one thing he's sure of, having your head bashed against a wall hurts just as much as having it bashed against bathroom fixtures.
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He doubles over, winded, and staggers back, and it's a moment before he answers.
"Yeah, next time I'll stick to graffiti," he says, his voice already hoarse, "A nice big cock, right along the wall there."
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"You," he says, gripping him by the hair to haul him up to his feet, "should not be touching it with such disrespect."
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"Jesus, fine!" Nathan shouts, his voice hoarse and his head ringing, face already starting to swell from where his face was smashed into the wall, "Just let me go!"
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"Sorry I was gonna draw a cock on your house," he finally manages.
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Somehow, Jamie wasn't surprised by the perpetrator, though the tail-end of the apology was definitely a new one.
"Hey," he said loudly, taking in the scene. They needed to get him away from that kid before he did more damage, and Jamie was hoping a verbal distraction would be enough for Sean to get in there unhindered. "I thought you weren't supposed to be evil."
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Sean moves in without any further prompting, edging around the one-sided melee to grab Erik by the upper arm and wrench it back behind him and pull him off the other man.
"A'right, boyo, I'd say he's had about enae, no matter what the hell ye happen t'be, aye?"
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But nothing moves. Nothing moves and the world stays quiet and he is powerless and he is weak and he cannot protect his home -- not for the first time and he fears, not for the last.